The embroidery is made to resemble pixels and borrows the visual language of digital imaging in an analog, handmade process. The images were taken in the city center as well as in the suburbs where I followed the former path of the wall through the outskirts of the city. I was interested in the psychological weight of these sites and the ways in which past history remains very much in the present. In many images, the embroidered sections represent the exact scale and location of the former Wall offering a pixelated view of what lies behind. In this way, the embroidery appears as a translucent trace in the landscape of something that no longer exists but is a weight on history and memory.
There are 21 photographs in total, and my favourite three would have to be these:
The photographer tells Colossal that his work centers around the topic of the Anthropocene (the era of human influence on Earth’s biological, geological, and atmospheric processes). “In my photography, I explore the origin and scale of that idea in an effort to understand the dimensions of man’s intervention in natural spaces and to direct attention toward how humans can take responsibility.” Hegen explains that aerial photography in particular helps convey the Anthropocene because it shows the dimensions and scale of human impact more effectively.
It’s fascinating subject to focus on, and the photography is stunning.
Tom Hegen also created a short video containing some aerial shorts of the greenhouses.
I will be definitely following him on Instagram, and keeping an eye on his work.
I’m here as I continue on-going work photographing The Bach Project w/ Yo-Yo Ma, a world tour where Yo-Yo is performing Bach in unconventional places around the globe. It’s been a privilege to photograph this amazing journey, and when I considered how to test the iPhone 11 Pro’s new capabilities, I thought a shoot on this project could be a great fit as many of these shoots have been in extremely low light!
Of course, I’ve also been anxious to see what this Ultra Wide lens can do, so shortly after the performance I popped out to the countryside to find some epic landscapes and have been out exploring this big, beautiful country ever since.
The iPhone 11 Pro announcement was really about one thing: camera. (ICYMI, see this video pretty much summing it up.)
The big camera features I was most interested in testing were obviously the Ultra Wide (13 mm) lens, the new Night mode, Capture Outside the Frame, and things like iOS 13 photo management, editing tools, etc.
Austin Mann’s iPhone reviews are one of the few reviews that I read every year. As the main improvements to iPhone over the recent years being the camera, I can’t think of anyone else to better it all.
And as always, it’s packed full of great photography. It’s a must read.
The details of this 81 megapixel image of the moon is jaw-dropping — you can see everything.
Best of all, it works incredibly well as an iPhone or iPad wallpaper. The way it lights up the lock screen — especially on the iPhone — is stunning. In effect, it looks like the iPhone progressively lights up the screen, creating a fascinating effect with the lit moon that isn’t replicated the same in other types of images.
I’m currently on holiday in Lanzarote, which is one of the Canary Islands. It’s technically part of Spain, but it’s closer to the western coast of Africa.
We spent all of today travelling around the south side of the island, and ended in a place called El Golfo, which has some very rocky beaches. It resulted in some interesting photos that I thought would look good as mobile wallpapers, so I spent some extra time seeing what else would look good, and I came up with 12 different options!
I visited the British Museum about 10 days ago, and my iPhone XS was super fresh in my hands, so I decided to take a bit more effort into the photos I took while I was there.
Well, after looking back at them, the three photos that I like the best have nothing to do with what the museum actually holds inside. But instead, people, and the inner architecture of the museum.
Also, you’ll noticed that all of them are black and white. I nearly always shoot in black and white, and if not I’ll usually apply the Noir filter afterwards. I just find everything looks a bit better without the distraction of colour.
This is a year’s worth of images I took of the moon using just my iPhone 7 through a telescope. The first time I tried it I was amazed by the detail and quality of shot that was possible on a phone, so I set about taking pictures at a various stages throughout the lunar cycle.
I was having a look through this collection of photos, and I was impressed with the level of variety. Even if we are tidally locked, and only ever see the same side, there’s quite a bit of detail to look at.